Level 1 Feb - Mar 2020

Tango Music - for practicing 
Check out Sophia's spotify lists:
Tango (Trad) Best for practicing musicality - walking to single, double and half time.
Tango (Neo) contemporary songs (good for practicing technique)

Link to 250 songs
The following link will download a collection of 250 of the most popular songs (tango, vals and milonga) played in milongas around the world! Focus for now only on the tangos. Also focus on instrumental songs as opposed to vocals as these are easier to find the beat. Di Sarli is one of the better orchestras to start with: 250 songs download
This link goes to a zip file (little less than a 1 GB file). 

Here's a link to help you better understand tango music for dancing

Week 6 starting March 2
Reviewed and refined what we covered in Week 5.

Week 5 starting February 24 
1. Introduced Backward Ocho which was added to the Parallel Cross with Forward Ocho combination:

2. Reviewed C-Step, Parallel Cross with Resolution
3. Improvised with the above combinations with a focus on navigation

Week 4 Starting February 17

Here's what we covered in Week 4:

1. Introduced Forward Ocho - entry from Parallel Cross.

2. Reviewed C-Step, Parallel Cross with Resolution
3. Improvised with the above combinations with a focus on navigation

1. Review Week 1 - 4  videos
2. Practice your Lapiz walk to song 'Cara Sucia' (in Spotify list: Tango (Trad)) or here on Youtube

Week 3 Starting February 10

Here's what we covered in Week 3:

1. Reviewed C-Step.
2. Reviewed Parallel Cross with Resolution.
3. Introduced concept of disassociation - for Leader's side step to Left - that causes Follower to under-step Leader.
4. Improvised with these 2 combinations with a focus of navigation (staying in line of dance).

1. Review Week 1 and 2 videos
2. Practice your Lapiz walk to song 'Cara Sucia' (in Spotify list: Tango (Trad)) or here on Youtube

Week 2 Starting February 3

Here's what we covered in Week 2:

1. Reviewed C-Step (see Week 1)

2. Introduced Parallel Cross with Resolution (a.k.a 'Basic 8') 

3. Alternated between and improvised with C-Step and Parallel Cross

4. Introduced 'Lapiz walk'. This is a drill for improving balance, walking and musicality. 
Lapiz means 'Pencil' in Spanish.

3 steps forward - Lapiz - 3 steps forward - Lapiz and continue this till end of song. 

A good song to practice this drill to is 'Cara Sucia' by Carlos Di Sarli (see Spotify Tango (Trad) list) or go here for youtube link to the song.

Notes for Parallel Cross:
Leaders: Note the first two steps of C-Step and Parallel Cross are the same. As with the C-Step the first side step requires that the follower under-steps the leader / leader over-steps the Follower.

Leaders and Followers: The Parallel Cross and C-Step introduce the concept of 'Inside and Outside' positions.

When the follower is lead to Outside position her back leg (left leg) has stepped slightly to her right - to stabilise behind her front leg, crossing to the right of, or behind, her spine.

In the Inside position the Follower's back leg (left leg) has stepped in a straight line behind her - parallel to her front leg and not behind or crossing to the right of her spine. 

Two backwards steps (follower) in Outside position leads to the Cross. The first Outside position step is the Leader's right leg stepping forward (Follower's left leg stepping back). The second outside step is the Leader's left leg stepping outside (Follower's right leg stepping back).

Week 1 : starting February 3
The focus was on:
  • Synchronising with a partner
  • Balance technique tips
  • Changing weight
  • Walking technique (side, forward and back)
  • Leading from the torso
  • Practice hold and open embrace
The move introduced was the 'C Step':


We also worked on musicality, walking to single time and pausing. We used the count 1-2-3-4 walking on the strong beats of 1 and 3. Counting can also be 'I and 1 and...' 1 here is for the strong beats of 1 and 3 while 'and' is for the soft beats of 2 and 4.

Good habits for tango dancers
  • 'Steel vs spaghetti': Your standing leg is like steel - dynamic, strong and grounded, your free leg is like spaghetti: light and loose without tension.
  • Your free leg hip is stable yet loose and lower than your base leg hip (this removes tension from your free leg)
  • 'Collection' - Thigh or ankle (as you prefer) connection as you walk
  • Push off the floor as you walk - to make your walk more dynamic. 
  • Never lock your knees: You standing leg knee is softly flexed (not locked) - this gives you better contact with the floor.
  • Always find your axis - 'it's your beauty and your power'
  • Walk in the line of your hips - Imagine your hips are at the centre of 2 crossing lines: one going forward / back and the other - left /right. The first line is the guide for forward and back steps, the second line guides side steps.